She Who Knows and One Way Witch are the first two novellas in Nnedi Okorafor’s She Who Knows trilogy. This series, in turn, is part of her larger Africanfuturist epic that reaches back 500 years to The Book of Phoenix. I’ve read three parts of Okorafor’s epic story. Who Fears Death is the story of […]
Days of Shattered Faith by Adrian Tchaikovsky
In his afterward to Days of Shattered Faith, Adrian Tchaikovsky makes the self-evident statement that this third novel in a projected series of five secondary world fantasies, known as The Tyrant Philosophers, is not a work of history. But he says that he owes a lot to a couple of historians, notably Anita Anand and […]
Ashes of the Ancestors by Andrew Knighton
I was all set to take a summer vacation from blogging when I came across this gem by Andrew Knighton. Ashes of the Ancestors is a slim novella that manages to immerse the reader in a vaguely European medieval fantasy world in an original way and pose telling questions about power, friendship and love. We […]
The City in Glass by Nghi Vo
While reading Nghi Vo’s beautifully crafted and deeply imaginative The City in Glass, I kept wondering where the story was going, even what it was for. Don’t get me wrong, this short novel is completely enjoyable and brilliantly written, but I was missing something that was hard to pin down. On one level it is […]
Taking on My Fantasy TBR – Assassin’s Apprentice and The Book That Wouldn’t Burn
With ever less time for blogging due to various physical annoyances, I’m limited in what I can contribute to Wyrd & Wonder this time around and so decided to offer an overview of two books in my stretchable comfort zone. I may return to one or both of these for fuller discussion at some point, […]
The Siege of Burning Grass by Premee Mohamed
During the recent Coode Street podcast interview with Premee Mohamed, she came up with an interesting phrase that seemed to capture what happens in her latest novel, The Siege of Burning Grass. She said that while juggling all the demands on her time, she often felt like one of her characters being “seduced into usefulness.” […]
