Considering the convulsing world of 1937 on the eve of World War II, Olaf Stapledon introduced Star Maker with a powerful rationale for science fiction in a time of crisis: “…[P]erhaps the attempt to see our turbulent world against a background of stars may, after all, increase, not lessen, the significance of the present human […]
Ursula K. Le Guin’s Always Coming Home: Dialogue Between Present and Future
When Samuel R. Delany reviewed Ursula K. Le Guin’s Always Coming Home on its publication in 1985, he referred to science fiction as a dialogue between present and future. That happens to be a good way of thinking about this unique work. It is part imaginary ethnography and part literary anthology of a people, the […]
Doris Lessing: Shikasta
In an era when science fiction insists on “showing” rather than “telling”, Doris Lessing’s Canopus in Argos: Archives series challenges readers to think differently. In five books, starting with Shikasta in 1979, she produced an epic scale work more in the vein of Olaf Stapledon’s universal histories than current best-sellers, and no less dazzling and […]
